Tuesday, July 10, 2012

Children of the Gods Continues

Last week, the incomparable Jessica Therrien announced the release date for the second book in her Children of the Gods series, and this week we've decided to bring the news here as well. For those who have been keeping tabs on the series, the first book, Oppression, was released this past February to considerable acclaim. The story of a girl much older than she appears who discovers that she is one of many descendants of the real Greek gods quickly became a teen bestseller at BN.com. Still one of our bestselling titles, it's not hard to see why. The story appeals to fans of Twilight, The Hunger Games, X-Men, and classical Greek epics. What's not to love?

Of course, the book ended on just the weeniest bit of a cliffhanger (we'll not spoil the first one here, just in case there's one of you left who hasn't read it), so we're all highly anticipating book two. Which...will be released February 19th, 2013 - barring an attack by oppressive polytheistic deities - and which will be titled: Uprising.

Now if that doesn't get you excited, I don't know what will. More details on the story, the cover, and the release will appear in the coming months, but in the meantime, perhaps it would be appropriate to brush up on your Greek mythology.

Monday, July 9, 2012

A Weekend of Rising

Thanks to a spectacular ebook promotion this weekend, V.M.K. Fewings' novel, A Vampire's Rise, has several thousand new readers. We're looking forward to their feedback on the series, as each book gets better and better as you go. Be sure to check out Fewings' collection of inspiring images over at Pinterest - you'll get a pretty good feel for the rich visual flavor of her writing there. Here's one of our favorite sentences from the book: "The House of Velde rose up out of the ashes." Ambiguous much? Guess you just have to read it yourself.

Thursday, July 5, 2012

Picturing Madoc

Check it out. We stumbled across this picture of Madoc, the legendary Welsh explorer, in a historical article from just over a year ago published in Southern Memories and Updates.

If you've read Anna Lee Waldo's Watch the Face of the Sky, you probably have your own mental picture of the dashing Druid. How close do they compare?

For one thing, all this fellow's armor looks like it would get a mite rusty on the high seas. But I suspect the ancients knew better than I do about these things.

Wednesday, July 4, 2012

ZOVA Books Writing Contest Winners


Happy Fourth of July! 

Today we wanted to post the winning submissions of our ZOVA Books/Storiad Short Story Writing Contest. We asked that each story be 500 words or less and begin with the prompt: "The red flashing lights on the control panel told him/her that something wasn’t quite right." We received quite a few submissions and the competition was tough. We looked for originality, writing style, over all story development (hard to do in only 500 words), and well, just plain good old fashioned story telling. After much deliberation, we decided on these three. 

Once again, congratulations to Kay Poiro for "Under the Gun," CM Stewart for "Gods of the Compuverses," and Kevin Varner for "The Interruption." 

To check out what they are up to and what is going on at Storiad, visit  http://storiad.com

Check out out winners' complete stories below. 

Enjoy!



Under the Gun

by 

Kay Poiro

The red flashing lights on the control panel told her that something wasn’t quite right. Under scornful eyes of an ever-growing audience, Kreskin McHull tapped the button in rapid succession five times, just like the manual instructed. Nothing. The lights continued their defiant blinking. Adding insult to injury was the heat. It was maddening, dampening her ponytail and stifling any coherent thought. But Kreskin kept her eyes trained on the panel. If I look at that, she reminded herself, I can’t look at them. “Them” were her audience. Angry stranger’s faces floating just beyond her peripheral vision. As their grumbling grew louder, Kreskin imagined a massive swarm of bees cutting a swath toward their target. She gulped. Where was Bolton? 

“I don’t mean to be rude, but—” Kreskin chanced a look. Thank God it was only the sweet old lady with hair the color and texture of carnival candy floss. A regular customer, but why couldn’t she remember the name? Maybe because stray ponytail flyaways wet with sweat lay pasted on her bottom lip, playing footsie with the coppery desperation that had settled in her mouth.

The old lady cleared her throat. Kreskin replied with empty apologies. Not quite sure what happened. Maybe it was the main flywheel? Bolton would know for sure. He had been paged and he would be here any minute.

“You said that five minutes ago.” Eyes still on the panel, she knew it wasn’t sweet pensioner lady who’d spoken this time, but a far angrier face. The bees no longer swarmed, but were amassing themselves into an undulating attacking arrow. Why had she picked yesterday to quit smoking? Where the hell was Bolton? Through tearful eyes, Kreskin again tapped the button five times. Quick succession. Just like the bloody manual said. 

In that moment, Kreskin knew death was near. When death is imminent, memories and otherwise insignificant observations leap to the fore. The chocolately sweetness of Nutella. Digestive biscuits being on special this week two for five. Or that the constellation of liver spots on the back of the old lady’s hands looked just like Ursa Minor. Before these monsters have their way, Kreskin prayed, please let me see my cats one last time. 

When he tapped her shoulder, Kreskin yelped, sure that death had come to collect. But it was just Bolton. Sweet, oh-so-late Bolton. Kreskin stepped aside as he took over. He inserted a key. The blinking stopped. Lifting the top, he peered inside and poked around a bit before announcing to the mob, “This register is out of tape. Please take your purchases to Lane Six where Patty will be more than happy to help you.” He then shepherded the group further out of Kreskin’s periphery before disappearing for good. Kreskin McHull exhaled, spitting the hair out of her mouth. She came out of her smock, flicking the Lane 5 light to “off.” I deserve a break, she thought. And a cigarette.



Gods of the Compuverses
by 
CM Stewart
The red flashing lights on the control panel told her something wasn’t quite right. Oncott sat holding her breath a few seconds, eyes fixed on the flash pattern. It was the first time she had seen the red switches illuminated. Red flashing lights meant her spaceship’s computer was running out of memory.
No more memory . . . what about over-writing? Does this mean the imaging vortex will collapse? Lately, every equation I’ve run has taken the same amount of time to process, yet the processor speed remains constant, a nanosecond below light speed, so . . .
A widow on her computer screen popped up, saying: “Greetings. My name is Dycan. You and your universe are a subroutine of a sentient software program I created on an ultimate ensemble hypercomputer. The memory capacity of your specific compuverse, however, is approaching 100%. Welcome to your compuverse ending. The termination of this subroutine is in T minus 822 seconds.”
“What? Why didn’t you tell me earlier?” Oncott said, her face turning red as the lights.
The screen displayed: “Your earlier knowledge of your artificiality would have negated the authenticity of your simulation.”
Oncott hunched over the panel, furiously typing a new subroutine, but the screen went blue.
The blue blinking buttons on the command center told him everything was quite wrong. Dycan stood clenching his fists for a few minutes, his optical scanners averted from the blink pattern. It was the fifth time he had seen the blue buttons illuminated in the last hour. Blue blinking buttons meant his stellar navigator’s computer was running out of memory.
Great. Memory glitches weren’t covered in the manual. But as long as the spectrum stabilizes don’t start oscillating wildly, I’ll be okay. I can’t afford another seizure.
A window on his computer screen popped up, saying, “Hello, my name is Gerry Furtado. Yourself and your universe are a set of infinite algorithms within pattern generating program I created. The memory capacity of your set’s data bank is near capacity. Yourself and your universe will soon cease to exist. You have approximately 290 seconds left. ”
“Seriously? Why didn’t I know about this?” Dycan said, tears spilling over his cheeks.
The screen displayed: “Had you known the true nature of your reality, this exercise would’ve been pointless.”
Dycan reached for the emergency kill switch, but the screen went yellow.
The yellow strobing bulbs on the power port meant anything was subjective. Gerry laid back and yawned, personal light conduits off. It was the only time Gerry had seen the yellow bulbs illuminated, and once was enough. Yellow strobing bulbs meant the Dyson sphere was running out of memory.
Another day, another faux emergency. Yesterday, the toilet wouldn’t flush. Today, the memory is bloated. Too many glitches, so I can’t confirm the port bulbs just yet. And there’s nothing a good nap won’t cure.
An hour later, Gerry’s conduits auto-switched on.
A window on the computer screen popped up, saying: “Hi. I’m—” 
Gerry and the sphere disappeared.



The Interruption 
by 
Kevin Varner
The red flashing lights on the control panel told him that something wasn’t quite right.
The bowl was empty. He sniffed the air for an answer, the aromatic burst of dust just before dry food clattered down the chute, its percussive pattern music to his ears, triggering his purr. He liked his purr. It was loud and commanding. It said, “I could roar. I choose to purr instead.”
One red light flashed on the console that always held food, another flashed on the device his Human dropped on the floor next to the bowl before quickly disappearing into another room and shutting the door. His Human had not returned.
Mister Crab didn’t know how long he had been hungry. He only knew he was. Any interruption in food delivery was a gross indecency reported with annoyed meows—gravely, parched, insistent. His Human would respond with apologetic tones and a fresh supply of dry food, proffering a small handful as a peace offering. The light on the feeder had never flashed red before. The flashing device lying next to the feeder had never been there before today.
Something was not only “not quite right,” something was terribly wrong.
Unlike the small red light he would chase around the room as his Human made noises of approval, these lights were steady,
neither speeding up nor slowing down. Was this a conversation? Some covert transaction between two invisible parties? He had no way of knowing. He could never truly “know,” he could only “surmise.” Cats were known for surmising.
His eyes narrowed until the two flashing lights merged into one blur--blink-BLINK, blink-BLINK. As he began to drift into a cat nap of hunger and disappointment, his world exploded.
The door crashed open flinging four new humans in with it. They smelled foreign and moved fast. He dashed across the floor sliding head-long into the refrigerator. He began to caterwaul, hoping this tactic would finally rouse his Human to feed him.
They threw open the door to the other room. His Human was there. Something was wrong. His Human was not moving. They turned his Human over, saying words and performing a rhythmic dance while hovering, breathing, pushing, yelling and listen- ing.
Time passed in strange noises, voices and alien smells. They covered his Human with a sheet. Their somber tones told him this would soon be over. He would go un-fed. As they hauled his Human away with the smell of something moist and freshly dead trailing behind them—like a mouse he’d once killed, he let fall a small, tentative “meow”.
One Human turned, sighed and wiped a sweat-beaded forehead. Near the food bowl flashing red—low on batteries, beside the Medical Alert Device that had been flashing for the better part of an hour, was a Tupperware container of dry cat food.
Scratching his ears, the Human placed a handful in the bowl and Mister Crab began the distinctive purr which said, “I could roar. I choose to purr instead.”




Monday, June 11, 2012

Printers Row

This past week was a busy one for ZOVA, with one of us in New York at BEA and another at Printers Row in Chicago. Here are some photos from the latter, including some stacks of Dr. Bernstein's widely popular new release, Flashblind. Our signs were blowing over, but the books stayed strong through it all. Hoping to hear from all his new readers in the coming weeks!


Part of the Flashblind display. Hard not to stop and ask what that's all about.


Jenny Bellington, taking in the fortunate shade behind stacks of her children's fantasy novel, East to Adonia. She signed dozens of these for eager readers. Thanks, Jenny!


The view of Printers Row from the bathroom line (thanks, Starbucks!). The crowds got much bigger from here.


And who could help but take a wee break to hear Veronica Roth and her fellow YA novelists discuss the writing life over at the Mash stage? You're not ours, Veronica, but we love you.


And last but not least, our incredible view of the clocktower at Dearborn Station looming over the festivities.

We love you, Chicago! See you next year!

Tuesday, April 10, 2012

Author Interview: Edgar J. Rossi


We've recently had the opportunity to catch up with Edgar J. Rossi, our favorite noir novelist extraordinaire, writing from his inspiring Las Vegas home. Check out the Q&A below, and feel free to shoot us your own questions to pass his way.

What are some of your inspirations for writing?
Through out my life, I’ve found the greatest inspirations for my writing and characters that I feature in my writing, is real life. Many characters that I write about are people I’ve met or witnessed. I’m a people watcher. I like to sit at coffee shops and watch the people go by. Especially in Las Vegas. If I told you the things I’ve seen around the city, you wouldn’t believe it. And I don’t mean just Las Vegas Boulevard, I’m talking the out-of-the-way places. I like finding the places only the locals visit; the pool halls, dive bars, etc.
Movies are another inspiration for me. I love crime movies like Tarantino and Scorsese and classic movies. Humphrey Bogart is an inspiration. Casablanca is my all time favorite film and has a lot of noir aspects to it. I watch Casablanca at least four times a year.  

Why 1948 Las Vegas?
I wanted to put the story in a classic noir setting; utilize traditional noir aspects and put them in one of my favorite places. What better place to put antiheroes, gangsters, and guns? 
I’ve frequented Las Vegas since before I was even legal gambling age. The grittiness and colorful people there are a wealth of inspiration for characters and plot lines. Now that I live here, I’m hoping the well will never dry up.

One for the Road features a very specific kind of writing style. What are some of your favorite books that may or may not feature similar styles? 
I’ve been a reader since I was very young. My mother used to read Poe stories to me before bed when I was little. I get a lot of shocked and disapproving looks when I tell people that, but to this day Poe is still my all time favorite. I even dabbled in horror writing when I was younger, but they weren’t very good. 
I’m way off topic. I got into noir and crime writing when I was in college. A friend of mine asked to read a short story of mine and said it reminded her of Hammett. To me, that is the greatest compliment a mystery/noir writer can receive. Dashiell Hammett wrote The Thin Man, The Maltese Falcon, to name two favorites. Other authors that write in this style are Raymond Chandler and Jim Thompson.   
What about the characters?
I love to watch people. And a lot of the time, I see people several times and never learn their names, so I end up giving them nicknames; like, Red Wagon Guy or Pig Lady. I felt it would be fun to have Johnny do the same thing. Not ‘cause he doesn’t want to learn people’s names, but because he can’t be bothered. 
You’ll notice that in One for the Road, Johnny uses people’s real names rarely and when he does it is to show specific character qualities. For example, he learns Lou’s name because he grows to trust and respect him. This also comes through in their character development. He gets to know Lou and Nora because he likes them. One for the Road is written in first person, from Johnny’s point of view. If he cares about a character, I want the reader to as well.
Many of the characters are either based off of people I’ve met or archetype (or cliche) characters that are fun to play with in genre fiction. The mindless thugs, the sexy moll, the pitiless psycho.
Other characters were based on historical personalities who would’ve been involved in the mentioned activities during the time period. I did quite a bit of research before, during, and after writing the book. I wanted to make the story as authentic as possible.  
Johnny Flamingo really isn’t a nice guy, is he?
I really wanted to stick to the noir standard. Antiheroes have always been my favorites because they are more true to real life. I’ve yet to meet a knight in shining armor or the personification of evil. I firmly believe everyone has a little bit of both (though in varying degrees) in many shades of grey. They are more fun to read and more fun to write.
Johnny Flamingo isn’t a bad guy, but you’re right, he is not a “nice guy.” 
Johnny Flamingo is a name that your main character makes up to protect his identity. What is Johnny’s real name?
Ha! That’s probably the most asked question I get. I’m not giving that away just yet. Little is given away through the course of One for the Road, and that is the point. I plan on writing more about Johnny and giving a little bit of his back story as I go. Where he grew up. What he did during the war. What he did when he got home. Who is Danny the Dutch and what did he did to Johnny. And, of course, what Johnny’s real name is.
How do you write? What process do you find works for you?
Well, I do a lot of reading. I get an idea of the plot and start researching the time/setting of the book. I read old newspaper articles, look at photographs, and visit the places I’m writing about so I get a flavor. 
After that, I start outlining. I plot out the book in scenes then see where the logical places for chapter ending/beginnings would be. Under each scene/chapter, I give a brief synopsis of what I want to say and tell during that time. I include details and specific facts I want to use as foreshadowing later. 
Then I watch movies and read more. I’m writing a noir book, so I pull out all the movies and books that I classify as noir. 
If there is an action scene, I watch a fast-paced movie. A hand-to-hand fist fight? I might pull out a martial arts movie. This gives me some visuals that I can work from. It also gives my writing the pacing it needs for the scenes. 
After that, I start writing the chapters. 
What’s next?
I’m working on a sequel to One for the Road. I won’t give too much away, but he’s in another city and gets into trouble, of course. Along the way he’s gonna meet some really great characters. Some you like and some . . . not so much. 
Like I mentioned earlier, I plan to give some more of Johnny’s personal history away, so readers will get a chance to understand what makes him tick.

Wednesday, March 21, 2012

Black & White, by Wes Albers

This week we're welcoming Wes Albers' debut novel, Black & White, a police procedural with a gritty, real-life perspective of the work of a street cop in San Diego. Wes Albers writes with more than authority. His many years on the San Diego Police force taught him not only how the system works - and doesn't - but also what the heart and soul of a city's front line defenders really look like. Already receiving rave reviews since the pre-release at the Southern California Writers' Conference last month, this book is one you won't want to miss. Not only because it's a singularly good read, but because if you miss it now, you'll be left well behind.

*Special note: As part of our craze for discounting digital books this month, Black & White is only 99 cents on Kindle and Nook. This will not last!